Explore the captivating world of Japanese Prints through the lens of Kawase Hasui (1883–1957), one of the 20th century’s most celebrated Japanese artists. The Virginia Museum of Fine Arts (VMFA) proudly houses an exceptional collection of over six hundred Hasui prints, thanks to the generous donation from René and Carolyn Balcer starting in 2016.
Currently on display is a curated selection of twelve exquisite japanese prints in the exhibition Views of Korea: Hasui’s Journey and Japanese Prints. This exhibition, thoughtfully curated by VMFA’s former E. Rhodes and Leona B. Carpenter Curator of East Asian Art, Li Jian, offers a unique glimpse into Hasui’s travels to the Korean Peninsula in 1939.
A dedicated artist and avid traveler, Hasui embarked on numerous sketching expeditions throughout Japan. His 1939 trip to Korea, prompted by friends, inspired him to capture the peninsula’s breathtaking natural landscapes and significant historical sites. With remarkable enthusiasm, he filled his sketchbooks, later transforming these Korean sketches into stunning woodblock prints, a hallmark of his artistic process. These japanese prints are characterized by fine lines, vibrant colors, and a delicate rendering of light and shadow, elements that define Hasui’s signature style.
Hasui’s japanese prints of Korean scenes transport viewers to the very spots where the artist stood. Through keen observation, artistic inspiration, and masterful skill, he depicted the tranquil beauty of Korea. Imagine lush green fields, softly falling snow, and skies illuminated by moonlight – all captured with a serene and evocative quality in his japanese prints.
The depth and breadth of the Balcers’ Hasui collection at VMFA allow for rotating exhibitions, ensuring the preservation of these delicate works on paper. Due to their sensitivity to light, these rotations are crucial. VMFA is delighted to present this particular selection of Hasui’s japanese prints from his Korean journey, inviting visitors to appreciate their beauty and historical significance in the coming months.
Chongsokjong Pavilion, from Eight Views of Korea, 1939, Kawase Hasui (Japanese, 1883–1957), woodblock print; ink and color on paper
